Monday, October 20, 2008

DOWNTOWN ATLANTIS


DOWNTOWN ATLANTIS: The Neighborhood

It sits in an industrial part of town. The sidewalks are worn down by the million pairs of feet that pound against this concrete mask. They sculpture it into imperceptible oblivion, daily. In the deep night, when the feet of people disappear, the feet of animals, insects, microbes and spirit continue the process. This is an undressed neighborhood. It could have clothes – the hand of industrial haberdashery has been proffered many times – but its particular style of dress is incomprehensible to those who would clothe a town. Those who give never really give. In reality they merely circulate and re-circulate apparel, a garment, a dress, a cloak or coat that can only be called central city hand-me-down. The garish colors, the fraudulent materials based on a petrochemical myth would never do in their own neighborhoods, where the goods are always genuine, even if the design leaves a grease spot, a flat gray stain on the imagination. This place would rather be exactly what it is: an urban trance: a boundless pool set aside for the cooling of an overheated collective unconscious: a clean slate upon which anything might be imprinted in peace.

DOWNTOWN ATLANTIS: The Restaurant

First you see a purple door. Half way down the right side of the door there's a non-descript white doorknob. Raise your sight line about three feet and move that line twelve inches to the left. You'll see a silver name plate with this legend embossed in black coral: THE EARTH AS A PERFECT PLACE. Open the door. Step into an old square. You're standing on a slab of concrete, freshly poured, that mirrors the dimensions of the room. Four Knights Templar red brick walls stand sentry, roofed by a sheet of transparent aluminum. The east wall is called San Francisco. The north wall is named Los Angeles. The west wall says Oakland. The south wall is imprinted with name Berkeley, in small letters. These are the names of the cities of the plains of Downtown Atlantis. There are no tables in this restaurant; neither are there chairs. The lighting is natural, consisting of sunlight, moonlight, or, perhaps even starlight. There's no kitchen. However, each wall has the legend 'Menu' stapled in gold against the red brick.

San Francisco, at the gate of the east wall, has a list of five offerings. They read from top to bottom:

LAZARUS BROWN BISCUITS
MATRIMONY TEA
ASPARAGUS SERMONS DIPPED IN CANDIED GOSPEL HAMS
BLACK CHRISTMAS PUDDING
OXTAILS SUPREME

The dark angel city, Los Angeles, the north wall, lists only one dish:

HERMETIC RICE

Oakland is a town that faces west into the dusk. It is filled with the prophecies it brought up out of Texas. Here we go:

PALM WINE
HALLELUJAH WINGS
HAMITIC PEPPERS
GIVEUP THE GHOST CORNBREAD
YAM LOAF
TEXAS SKY GREENS

Berkeley, a house of gnosis and water in small letters, has just one prize:

TRIPLE DIPPED TORAH PLUMS

Look up! There's William Blake on the roof feeding Billie Holiday:

HOLY WATER
REGENERATION SOUP
TIME WAFERS
PASCHAL PEAS
APOSTLE BEANS
KWANZA STEW

DOWNTOWN ATLANTIS: A Brief History of the Food

LAZARUS BROWN BISCUITS: These biscuits are made only in a small northwestern Alabama town called, Tuscumbia, and are renowned for their incredible lightness. Local rumor, ancient myth, folk tale and scuttlebutt state that these biscuits have actually been known to create the physical sensation of levitation.

MATRIMONY TEA: This exotic brew was first concocted in Seattle in the waning months of World War II. It is said to be capable of breaking down all the inhibitions of newlyweds – moral, ethical, racial, sexual – that might still linger after taking the ultimate vow. It has a mild hallucinogenic quality. Apocryphal tradition says that king Solomon damn near overdosed on this tea as he was sitting down to write his song.

ASPARAGUS SERMONS DIPPED IN CANDIED GOSPEL HAMS: This is the staple food of a particular class of defrocked transvestite ministers based in Washington, D.C.

BLACK CHRISTMAS PUDDING: Black Christmas pudding is a well-known dessert that shows up on the Christmas spreads of many inner-city black families, in St. Louis, Chicago, New York, Cleveland, Houston, Philadelphia, Baltimore, Memphis, Atlanta, Birmingham and Kansas City. There's nothing unusual about the contents of this pudding. The name is what gives it its flavor. The following drama is what gives it its notoriety.

A rice pudding is placed on a table in front of an undetermined number of poor, hungry, angry, and able-bodied black people. Silverware is not necessary! The pudding is set down on the table in four or five old porcelain, rectangular pans. The pans are uncovered.
Hands fly at the pudding from every direction. They scoop, snatch and grab and then scoop, snatch and grab some more until there 'ain't no mo'. Thus, we get the name Black Christmas pudding.

OXTAILS SUPREME: This is an East St. Louis special. In the early twentieth century, young and old black men from East St. Louis used to cross over into St. Louis to liberate the oxtails that were the disdained – delicate for some – leavings of a work day in the stockyards of their larger and more prosperous neighbor. This secret extraction could only be done after midnight, after the killing ground was temporarily shut down.

The oxtail bandits would arrive exactly at 11:18 p m. They would slip into the yard and wait for time to close. They would gather the sacred refuse, wrap them in old newspaper, stuff them into eighty pound burlap sacks, slip out of the yard and head home. There was one small problem. The toll bridges back to East St. Louis closed at midnight. The oxtail bandits only had two choices; they could wait for the bridges to open at 4:00 a.m. – risk getting caught by security guards at the toll booths and possibly letting the food spoil from exposure to the elements – or they could swim across the river. They chose to swim.

Try swimming the Mississippi at midnight ferrying an eighty pound sack of oxtails. Believe me you have to be supremely confident, supremely desperate or supremely crazy.

HERMETIC RICE:

Despite its name and the magical connotations, this field rice is fairly ordinary. It takes its name from Herman Melvin De Ville, a brother from Tuscaloosa, Alabama. De Ville had an interesting story and led a life that was both cursed and blessed.

He was imprisoned as a child for a food theft from a white man's grocery store in Tuscaloosa. He did nineteen years for this robbery. He was fourteen when he got busted and thirty-three when he got out.

Sending off for a mail order degree in Ministerial Science, he used the alleged significance of his release from prison at thirty-three years old to begin his career as a circuit-riding evangelist. Being freed and coming to maturity at the identical age at which Jesus Christ was crucified, became Herman's spiritual shtick.

On the long, lonely road of the backwoods evangelist he began to read extensively. He also, unbeknownst to himself or his peers, had a profound gift for mimicry and a photographic memory. Because he was essentially a man without money, an intellectual mentor, or any kind of personal direction, he read whatever he could get his hands on. What he could get his hands on were periodicals, how-to-texts and foreign grammars. Herman, amazingly, began a regimen of study that in the short space of five years saw him go from backwoods illiterate to master of obscure and esoteric world languages. At one time he was the only person in the continental United States fluent in Basque, Bosno-Islamic, Rwandan, Haitian Creole, Akuan Angolan - spoken as an indecipherable code by members of the Cuban Politburo - and the three dialects extant on the Korean peninsula.

In the late twentieth century, when the countries where these languages were spoken became international hot spots, the State department, after extensive research and analysis, discovered that Herman Melvin De Ville was the only American who could fill the immediate need of translator / interpreter for these critical arenas.

Herman became, for a short time, an international celebrity. However, he was a man who held grudges. His nineteen years of incarceration, thirteen of them held in a semi-dark solitary confinement, had created in him a resentment against white men that bordered on the pathological. In prison he had issued many psychic arrest warrants; his being had sworn numerous epithets from the inside out; he had carved a lot of oaths into his own heart, but he'd only kept one. He swore he'd never take an order, advice, even a suggestion from a white male. This created a problem when an American negotiator suggested that Herman tell his North Korean counterpart, in no uncertain terms, that unless their was complete compliance with agreed upon United Nations sanctions, the negotiations were essentially over. It wasn't the suggestion so much as the tone that set Herman off. The words, "In no uncertain terms", ground migraine-like into Herman's head. It sounded like an ultimatum. Although, the American was asking Herman to pass the ultimatum on to the Korean negotiator in diplomatic language, by the time the rational had caught up to Herman's prison-induced irrational oath, it was too late. Herman's ego, which was paper-thin anyway, had cut-off the American with, "Motherfucker, tell him your goddamn self".

It wasn't the 'motherfucker' – the negotiator was after all, a soldier - so much as the 'your goddamn self' that offended the American. Something about Herman's deeply black inflection seemed to take the language beyond profanity and push it into the realm of a personal insult, maybe even a curse.

The mission was doomed. Herman had fucked-up the process. He was accused of being a North Korean sympathizer. Passing Go, he was lucky his ass didn't go straight back to jail.

He was cashiered out of service to his country. It was worse than a bad conduct discharge. He was denied his benefits!

He returned to Tuscaloosa. He gave up the circuit-riding game. He went into the business of growing simple field rice. He called his company Hermetic Rice.

State your business, go away quietly and you won't get hurt. Right?

PALM WINE: This has been called a true capitalist brew. The story goes that Chris Columbo, an Italian sea captain, bigamist, wine merchant and small time pimp, was able to trade a cargo of West African slaves for a small palm wine plantation on a West Indian island. This island would some centuries later become one of the Virgin Islands, St. John. The slaves and their descendants, of course, remained to work the land. Columbo's youngest son came to the colonies in a later time to run his daddy's plantation. Seduced by the tropic warmth and African spiritual depth, he remained in the islands, married black and created the first great palm wine plantation in the western world.

HALLELUJAH WINGS: These are ordinary chicken wings. Sometimes, because of the seasoning, they're called Buffalo wings. Club owners used to lay them out for touring rhythm and blues bands and soul reviews from the late 30's to the early 60's. After a few months on the T. O. B. A. (Theater owners Booking Association, also known as 'tough on black asses') circuit, a young singer / instrumentalist would be heard to exclaim, at any sign of hospitality, comfort, or just plain human warmth, hallelujah!!!!!!!!!!!!!!!!!!!

HAMITIC PEPPERS: This is a pseudonym for Jamaican ganja. It was brought down from the Blue Mountains in coffee sacks, along the same stone paths that Amerindian and African slaves had built for the British and the Spanish armies in order for the conquerors to occupy the island. Rastafarians, in later years, could be heard chanting during their ascents and descents of the same mountains along the same stone paths, "Death goes up the mountain, and life comes down".

GIVE UP THE GHOST CORNBREAD: This is another food that is named and coded for both physical and spiritual nourishment. It's a really sweet cornbread, first dipped in a dry desert honey and then soaked for a week in plum wine from the northern Japanese island of Hokkaido. The 'ghost' in the name was a code for sexual favors. Usually these favors were fleeting, given and received in corners and alcoves of small dark rooming houses and the back rows of segregated movie theaters. The combination of the name made the sex somehow less sordid and the nourishment more basic and authentic; it made the emotional quest for sex the equivalent of the physical need for food, clothing and shelter. It made living larger.

YAM LOAF: This is a straight code. There is no food here. Yam loaf is a group of women who are ancient and true and primal.

TEXAS SKY GREENS: This is a jazz musician's designation for another musician who is on the verge of leaving the homestead and heading out toward a bigger and better world. Greens is Texas talk for something – an idea, a technique, a stylistic development – that is so fresh, that the freshness itself, the newness, has taken the place of personal need or ambition and is now in control of the nature of things. Texas Sky Greens is a designation for the descent of the Holy Spirit.

TRIPLE DIPPED TORAH PLUMS: These are women or men who remain in a long-lasting relationship or marriage. They are with you when you start, with you when you are flying, and right there with you where and when you land. They accept the whole deal, ride every minute on the wheel of whoever you are or were or ever will be.

HOLY WATER, REGENERATION SOUP, TIME WAFERS: These are three unpublished poems of William Blake.

PASCHAL PEAS, APOSTLE BEANS, KWANZA STEW: These six words were found scribbled on the bottom sheet of Billie Holiday's death bed. Their meaning has never been deciphered.

**

Tuesday, October 7, 2008

The girl who opens doors



THE GIRL WHO OPENS DOORS
For Marcella Sali Grace


I didn’t know her
But I met the spirit of that girl
In her father’s voice
And I recognized her immediately

"Love brings the kind of magic that talent can only dream of"
- Nguyen Khai

"It takes a lot of energy to re-invent the world on a daily basis"
- Diane Di Prima

"For the true artist, the desire for intensity is stronger than the will for self-preservation"
- Rudiger Safranski, NIETZSCHE, A Philosophical Biography


I walk through a door
And then another door
And then another
Through one door there is good food
Through another there is drink, long and full,
And finally the metal hinge of a third door
Sings to me, calls,
And I proceed to the living room

There are patterns of doors laughing, opening and closing,
Multi-colored, multi-layered,
Brown-bronze wood doors hugging beveled glass
Hiding-holding the myth called music, tightly,
Inside petrochemical plastic doors, preserving song-life
That really just wants to open the door, live strong,
And move on

I didn’t know her
But I heard the spirit of that girl
In her father’s voice
And I recognized her immediately

I didn’t know her
But I know warm fresh bread when I taste it
I know the roundness and depth of wine
When it tip-toes or thunders across my palette
I know what I like

I didn’t know her
But I felt the spirit of that girl
In her father’s voice
And I liked her immediately

There was a picture on the wall
That became a door
When her father spoke
When he intoned Sali
That girl came out
Fleet of foot and swift of temper
In a high dance step
And the laws of terror and wonder
The agreements of person and will
Of animal, vegetable and mineral
Lay down at her feet
And listened

Her father was talking to me
But his voice kept saying
Over and over and over again
"Sali, there’s no one in life quite like you"

I didn’t know her
But, fourteen days after she stumbled violently
Through the damp night crime door
Into the reed clay pool of eternity
I dream-wed her in Arab dress and hoop earrings
She had long black temple curls
In classic flame and rhyme
She spoke in the dual languages of God, poetry and time

This is what she said to me:
"With a crescent wrench,
I open a rusted red dumpster door
And turn it into a quick meal of love and ferocity.
Inside that same box of becoming and abandonment
I see a greased and stained brown paper bag
Inside the bag there is a plate with three parts
Holding sloth, con games and misogyny
I jump out of the dumpster, leaving the door open,
Locate a green counter where trades are made
And exchange the bag of sloth, con games and misogyny
For the photostream of parenthood, teaching and sex
Sex becomes mystery, teaching becomes openness,
Parenthood becomes creation
I crown myself again and again and roar, because
I know that at the end of my tongue
There is always the mission of opening doors

I love opening doors
The doors of freight trains become
Womb doors, the doors of rickety country buses
Become heart doors; the flat, wide thump of working feet
Pound the ground and open the doors of perception
So that I might bear witness
To this beautiful being
I love opening doors
And I open them all;
Dream doors, rock doors, bird doors, root doors,
The old school doors of the delta

The warp, the woof, the moisture of perception
I keep the doors open as if they were
My own breath
If a smoking stack signals that freight is on the way
Then this open door surely means
Here is sanctuary

I open the doors of power
That flow from life to life
Like spiritual insurance

I open the self-containing, self-sustaining doors
From behind which my own hermitage anoints her self
By following my seed back to its source

I love doors!

"Don’t be afraid, the clown’s afraid, too"
- Charles Mingus

But, I am a soul
Locked-up inside a body
A sailing impoverished circus, Jah clown,
Blood drummer of flared sticks against caribou breasts

I am against submission and the confusion of submission
And the weakness and stupidity of those who agree to submit
The purified water of a clean well
I am somewhere that no one can drink from me
And to know this thing
Is a terrible hurt put on my heart

For you I have opened the door to myself
The clear deep well of my being
From which no one will draw
And to know this thing
Is a terrible hurt put on my heart

There is no honor here where I am, no soul
Nothing authentic or certain; no undeniable faith;
No surety; no crosschecking uncensored system
That guarantees continuity or salvation or flow

No Krishna, no Buddha, no Judah, no sweet Jesus,
No paradise of lost and found Islam
Riding the blow holes of clairvoyant dolphins

The signposts change instantly
One reads, "God made love to a blue duck in this doorway"
Another answers graphically, "Who the fuck cares?"

There is coolness here; a shadow,
That mimics real darkness
It tells me to cherish my losses
And that defeat is sweeter than victory
It tells me that in order to open the door to love
I have to bend my knee and submit to the other love,
The degradation of love; then consistently practice the ritual
Of negative courage; but,
I have already stated that I am against submission
And the weakness and stupidity of those who agree
To submit to anything; but, I am confused
In my heart, which is my soul locked-up inside my body

There is no question here
That can be answered by simply
Paying attention

Everything changes
A golden light becomes a guitar
"I don’t want to be God, but I can’t stand being human"

Everything changes
"I am ancient, but I am not old"

Here, where I am, there is odor, taste, sight, feeling, sound,
Acute awareness
And the six additional perfected senses
Proximity, delicacy, coordination, no pity, consecration
Consummation
That make-up the songs of the chief speakers
Of the refuge of the open door

I am one with them
I sit in an ark of song, a kind of mystic chorale,
Forever in a chariot of butterflies without fingerprints
Praising and thanking caterpillar you
Whose mind first made
Me
By chanting the overwhelming mantra of silk

I now eat submission;
Weakness and stupidity
Have become the found meal of my life

I have given
All there is to give"

**

Image in homage of Sali by Kalvellido.

Saturday, September 6, 2008

Nailed Seraphim



Spirit Catching: “What the astrologers don’t realize man, is that, in the Age of Aquarius, Scorpio is on the mid heaven.”
- conversation between myself and the Raspoet Ojenke

Spirit Catching: “You don’t know what you can do!”
- John Voigt as Oscar Mannheim
in Akira Kurasowa’s
RUNAWAY TRAIN

Spirit Catching: “Say man, what happened to Lamonte?
- "Lamonte, man, Lamonte been gone five weeks. You just missed him?"
- "Whatever, man. The brother ain't here. What happened to him?"
- "Nigguh caught on fire, man. We had to put him out!”
- Conversation overheard in the mailroom at Schnuck's Corporate headquarters



1. Descent From The Stars

The first step was the hardest
Like the first word of a poem
The pen scratching uncertainly
But indelibly, across the paper stairs
Of the babbling tower

The first step was the hardest
The heaviest
But, he didn’t stumble

The second and third steps produced
A tumbling sensation

From here to there was eighty six flights
Of defiance
Of the laws of gravity
speeds of light
quantum mechanics
quantum physics

He didn’t know shit from Shinola
But, the exalted alliance of his mind and his heart
Grasped hands exceeding his reach
Waist bent
Thighs stretched
Knees extended
The end of each nerve in his being
Sent the same long Fats Waller – Stepin’ Fetchit song
Screaming back to his brain
‘Feet don’t fail me now’!

2. The Arrival At Ground Zero

Spirit Catching: ‘home is where the hatred is
and it might not be
such a bad idea
if I never went home again’
- Gil Scott Heron

At first he was welcomed;
Home is the hunter;
Home is the hero

Home is the man who looked upon death
The demonic, the unspeakable horror
Of the reversed god joke

Here is the carrier of the new word
Raised magnificently
Against those who would enter the exalted crucible
In shroud
Soak themselves in camphor, swallow marigolds,
Wash dead flowers down with embalming fluid
And chant the song of the scorpion
From the mid heaven
Of the Age of Aquarius

Here is the man who is whole;
Who is one, distilled, refined, synthesized
And nailed to solar essence

Like Lord Krishna
HE HAS PERVADED THE UNIVERSE
With a fragment of himself
And remained

3. The Old Commentary or S. O. S. (same old shit)

After the bouquets
After the plaudits
After the elegies
After the eulogies
After being swept up
Paraded, feted, clothed, fed
And fucked

After his mama was promoted
After his daddy was hydraulically raised and paid-off
With the inscribed misnomer ‘disabled for life’

After he saw his brothers and sisters,
Aunts and uncles,
Cousins, near cousins, fake cousins
And straight up gangster-pimp cousins
All enshrined in a mythic black heroic pantheon

After the rain
The shit hit the fan

First question:
How did Mortice Juwan Menifee manage
To run down eighty six flights of stairs
In less than seven minutes (six minutes and two seconds)
And escape the collapse of tower number one
Of the World Trade Center?

Second question:
How was it that nobody above the fiftieth floor
Survived, but him?

Third question: Was he really on the eighty sixth floor?

Fourth question: Who the fuck is Mortice Juwan Menifee?

4. The Interrogation

Spirit Catching: ‘Beware of the good pilgrim
He will not kill you
But, he will ruin your reputation
- Marcus Garvey

The Washington Toast got it first. Crack investigative reporters Bobby Woodchuck and Larry Burnside scooped the New York Rhymes
With this headline:
‘Lone Survivor of Upper Tower Revealed to Have Checkered Past’
Mortice Juwan Menifee, the lone survivor of the upper floors of
Tower Number One of The World Trade Center, has a record of minor convictions in his past. It was revealed that Mr. Menifee had been arrested in high school for possession of less than a gram of marijuana. Although Mr. Menifee performed three hundred hours of community service and under a plea agreement his record was expunged, this crack in the so-called hero of Tower Number One’s armor might lead to the discovery of more significant problems in his past.

Next came a black reporter from S. A. N. N. (The Sorry Ass News Network)
Smiley Travis, who had somehow tracked down and then gotten and old girl friend of Mortice’s to talk about the time he had thrown a McDonald’s wrapper in her face at a drunken post prom party. Somehow Kadrisha had translated this incident into sexual abuse and aggravated battery, based on the fact (according to her) that Mortice had no shirt on at the time and the McDonald’s wrapper had some hot melted cheese on it ….. or ‘sumpin’ (her words). She was also suing Mortice for thirty two million dollars based on his projected earnings over the next twenty years from public speaking honoraria, books, films, land purchases, etc., etc., etc.

A week later NATA (not accountable to anyone) Dayline broadcast a special entitled, Mortice Juwan Menifee, SINNER OR SAINT? NATA now revealed what their deeper investigation had recovered. Mortice’s great great uncle, Dutro Menifee, had purportedly killed a white man in Mississippi in the 1920’sover a gambling debt. Dutro had escaped to Mexico and then made his way to Guatemala. He had lived there for twelve years in relative peace and obscurity before being accused of killing another man in a dispute over money and a woman. From Guatemala he had fled to honduras and then late in the summer of 1941 was accused of selling diseased cattle to Texas ranchers. He was jailed briefly, but escaped again, with the help of two Nicaraguan women who claimed he was their protector, i. e. , pimp. They got to the north coast of Nicaragua where Dutro stole a fishing boat and set sail for Cuba. According to this ‘deep’ investigation, he stayed in Cuba during the forties and fifties and became moderately wealthy running a small Havana casino for some American gangsters until the Cuban revolution came to power. Dutro had sold out the gangsters, backed Fidel Castro, and become a financial advisor to Che Gueveara during his short sdtint as head of Cuba’s National Bank.

In the mid to late sixties Dutro met and married a beautiful Spanish woman who had come to Cuba to join the Revolution. They had four children together; the last, a girl named Josephina was born on Dutro’s seventy eighth birthday, January, 2nd, 1979. He died in his bed, with his boots on, on his 100th birthday, January, 2nd, 2000: forty one years and one day after the triumph of the revolution.

Here are the implications of this information:
Mortice Juwan Menifee was a dope smoking, woman abusing drunk, who was descended – peripherally- from a gambling, murdering, Mississippi pimp cum Cuban Communist revolutionary (by proxy), who probably raped a beautiful but confused white woman and made four half-breed babies. To top this off , he had the nerve to die in his bed with his boots on, on his one hundredth birthday like some crazed nigguh Zen Buddhist priest. Now America, What do you think of this? Is this the man you want lighting the torch at the Winter Olympics? Is this the hero whose photo-shopped picture you want on the front of a Wheaties Box. Is the dawg you want to send to Disneyland?

5. The End

Spirit Catching: At the end of the story
You’ll find it all been told
- Earl Grant

Mortice Juwan Menifee was an accountant
Who took his job seriously
But, on September 11, 2001, he forgot to count
He did not compute or crunch numbers that day
He ran and he jumped and he bolted
Revolted against his formal calling
And instead of falling
Instead of choosing air over fire
Or fire over air
He caught on fire
Not physically , but psychically or energetically
He penetrated some kind of center
Or spiritual vortex
He dialed up some impeccable code
Some blacked out strategic safety valve
That allowed him to evolve, for a moment,
Down some mythic magnetic corridor
Some rear window in a parallel universe
That occupied the same space and time
As the transcendent crime taking place

In the midst of total in sanity
He remained divinely sane
And came down eighty six flights of stairs
Intact

But, the facts, of course, belied this explanation
The nation revolted against the exception
And Motice Juwan Menifee was set up for execution
By media, by photo journal,
By external and internal pressure
By gossip
By isolation
By the inability of those who live highest
On the tree of life, the Christ-like exalted flowers and leaves,
The seraphim
To retrieve their exposed beings or protect themselves
From the relative hurricane of humanity

The Mayor, recently transfigured from a right wing racist
Republican jerk, to a moral paragon and transcendent communtiy
Leader, demanded that Mortice give all the flowers back
And admit publicly that all the plaudits, clothes, parades,
Were undeserved, and that Mortice make arrangements
To financially re-imburse the city
The Mayor even threatened to charge Mortice
With statutory rape
After all he was descended from a Communist rapist
One of the young girls who had come to his suite
At the Waldorf, in the sweet days
Now said she was only seventeen

So Mortice wilted under the pressure
He was an accountant not a warrior
They ruined his reputation and that was all he had

The dirty looks on the subway
The epithets in the neighborhood
The cousins who once basked in his glory
Were all gone

Mortice was alone
Not with the letter
But, finally, with the spirit of the law

He was Mortice Juwan Menifee, accountant
Not Job, not Elijah, not Isaiah, not John, certainly not Jesus

His mama turned on him, wordlessly
His daddy had to go back to work
The pump in his chest gave out massively

6. The House of God Is Also A Black Hole

Those who experience the created thing
Must also experience the uncreation

Mortice caught on fire
And got completely fulfilled
He came back home
And got completely cancelled

It was sort of like training for twenty years
To climb Mount Everest

Your time comes
You make the ascent
You court that impeccable calling
You come back home
You get run down in the street and killed
While jay walking

7. God Is Anything But Merciful

The moral of this story is
If you catch on fire
They will put you out!


***




Nailed seraphim was published along with The epileptic camel driver speaks to a refugee death: elegy for Fakin' Floyd Raintree as a two-faced book by Poetry Scores, with two original prints by John Vogl of The Firecracker Press (including the piece reproduced above). It is available at various indie shops in St. Louis or by emailing the poet: kcurtislyle [@] gmail.com.




***

Nailed seraphim is the subject of the 2008 Poetry Scores Art Invitational, to be held Friday, Nov. 21 at Hoffman LaChance Contemporary, 3100 Sutton Blvd. in Maplewood, Mo.
A number of artists will respond to Nailed seraphim and name their respective pieces after a verbatim scrap of language from the poem. The work will then be displayed and positioned around the space, according to where in the poem the language chosen for the title of the artwork appears. The work will be sold on silent auction.

For more information on the invitational, contact Chris King at brodog [@] hotmail.com.